1 00:00:12,863 --> 00:00:15,664 SO ACCORDING TO THE STATEMENT YOU GAVE THE POLICE, 2 00:00:15,733 --> 00:00:18,300 YOU CAME HOME FROM WORK AND SHE WAS JUST... 3 00:00:19,970 --> 00:00:21,202 YOUR WIFE, I MEAN, 4 00:00:22,640 --> 00:00:24,940 SHE WAS JUST THERE, LIKE THAT? 5 00:00:26,276 --> 00:00:28,676 YEAH. 6 00:00:30,013 --> 00:00:31,980 I GOT OFF AT 5:20. 7 00:00:32,916 --> 00:00:33,916 DROVE HOME. 8 00:00:34,851 --> 00:00:36,251 STOPPED FOR GAS. 9 00:00:38,222 --> 00:00:41,323 IT WAS WINTER, YOU KNOW, 10 00:00:41,391 --> 00:00:44,025 SO BY THE TIME I PULLED INTO THE DRIVEWAY, IT WAS DARK. 11 00:00:46,497 --> 00:00:47,695 THAT WAS THE THING. 12 00:00:48,965 --> 00:00:51,733 I WALKED INTO THE HOUSE AND THE HOUSE WAS DARK. 13 00:00:51,801 --> 00:00:54,002 I MEAN, OUR HOUSE IS NEVER DARK. 14 00:00:55,439 --> 00:00:57,939 SHE WAS ALWAYS TURNING LIGHTS ON. 15 00:00:58,008 --> 00:01:00,168 I WAS ALWAYS SHUTTING THEM OFF. 16 00:01:03,431 --> 00:01:05,597 TOOK MY EYES A MINUTE TO ADJUST. 17 00:01:07,368 --> 00:01:08,500 EVEN THEN, 18 00:01:09,836 --> 00:01:11,756 I MEAN, I WAS JUST, LIKE... 19 00:01:13,074 --> 00:01:14,273 I SAW A SHAPE. 20 00:01:16,377 --> 00:01:17,443 ON THE FLOOR. 21 00:01:18,745 --> 00:01:20,112 JUST LIKE A MOUND. 22 00:01:20,181 --> 00:01:22,647 I THOUGHT MAYBE SHE'D ROLLED A RUG UP. 23 00:01:25,319 --> 00:01:27,586 THEN I GOT CLOSER AND I REALIZED IT WAS HER. 24 00:01:28,255 --> 00:01:29,488 IT WAS MY WIFE. 25 00:01:33,727 --> 00:01:36,695 I COULDN'T FIGURE OUT WHAT SHE WAS DOING THERE. 26 00:01:36,763 --> 00:01:37,763 ON THE FLOOR. 27 00:01:38,566 --> 00:01:39,998 ON HER SIDE. 28 00:01:41,802 --> 00:01:43,335 I SAID SOMETHING TO HER 29 00:01:44,472 --> 00:01:46,672 BUT SHE DIDN'T SAY NOTHING BACK. 30 00:01:47,408 --> 00:01:48,507 DIDN'T MOVE. 31 00:01:49,710 --> 00:01:50,710 NOTHING. 32 00:01:52,613 --> 00:01:55,180 THEN I TURNED THE LIGHT ON AND I SAW THE BLOOD. 33 00:01:56,717 --> 00:01:58,637 I WAS STANDING IN IT, ACTUALLY. 34 00:02:00,053 --> 00:02:02,838 I WAS STANDING IN HER BLOOD, AND I DIDN'T EVEN KNOW IT. 35 00:02:02,907 --> 00:02:05,306 I'M SORRY TO MAKE YOU... 36 00:02:05,375 --> 00:02:06,524 TO REMIND YOU. 37 00:02:07,043 --> 00:02:08,276 I'M SORRY. 38 00:02:08,345 --> 00:02:09,628 IT'S OK. 39 00:02:11,632 --> 00:02:13,132 YOU'RE NICE TO SAY THAT. 40 00:02:17,138 --> 00:02:18,703 YOUR SKIN IS SO WHITE. 41 00:02:24,395 --> 00:02:27,545 IF I TOOK MY BLADE AND RAN IT FROM THE BOTTOM OF YOUR NECK 42 00:02:27,614 --> 00:02:29,281 TO THE TOP OF YOUR CROTCH, 43 00:02:30,383 --> 00:02:32,818 THE WAY THE BLOOD WOULD SLOWLY 44 00:02:32,886 --> 00:02:35,520 SEEP OUT AND COVER YOUR WHITE SKIN 45 00:02:37,874 --> 00:02:39,407 WOULD BE QUITE A SIGHT. 46 00:02:42,947 --> 00:02:44,357 WHAT'S THE MATTER? 47 00:02:45,482 --> 00:02:46,682 ARE YOU OK? 48 00:02:47,818 --> 00:02:48,818 YEAH. 49 00:02:49,753 --> 00:02:52,888 NO. IT WAS JUST A DREAM, I GUESS. 50 00:02:54,391 --> 00:02:55,591 WAS I IN IT? 51 00:02:56,526 --> 00:02:58,293 WERE WE NAKED? 52 00:02:58,361 --> 00:03:00,528 ANSWER THE 2ND QUESTION FIRST. 53 00:03:00,598 --> 00:03:02,197 YOU SURE YOU'RE OK? 54 00:03:06,052 --> 00:03:07,602 I SAID, "I'M OK." 55 00:03:08,806 --> 00:03:10,138 OK. 56 00:03:10,206 --> 00:03:11,206 OK. 57 00:04:00,157 --> 00:04:02,585 IT WAS SHORTLY AFTER 6:00 YESTERDAY EVENING 58 00:04:02,609 --> 00:04:05,176 WHEN HER PARENTS REPORTED 3-YEAR-OLD DAVINA MISSING. 59 00:04:05,245 --> 00:04:07,623 APPARENTLY ABDUCTED WHILE ON A SHOPPING TRIP WITH HER FAMILY 60 00:04:07,647 --> 00:04:09,625 AT THE GREYSMARK SHOPPING CENTER. 61 00:04:09,649 --> 00:04:11,048 WILL YOU CHANGE THE CHANNEL? 62 00:04:11,117 --> 00:04:12,962 INVESTIGATORS ARE ANXIOUS TO SPEAK WITH LLOYD ISAACSON, 63 00:04:12,986 --> 00:04:14,497 A SECURITY GUARD ON DUTY YESTERDAY... 64 00:04:14,521 --> 00:04:15,837 JOE! 65 00:04:15,905 --> 00:04:19,225 CHANGE THE CHANNEL. THE KIDS ARE WATCHING. MY HANDS ARE FULL. 66 00:04:21,194 --> 00:04:24,813 JOE, ARE YOU DEAF? CHANGE THE CHANNEL. 67 00:04:24,882 --> 00:04:27,415 POLICE AND SHOPPING MALL OFFICIALS REFUSE TO DISCUSS 68 00:04:27,484 --> 00:04:30,452 WHETHER MR. ISSACSON HAS ANY PRIOR HISTORY... 69 00:04:30,521 --> 00:04:32,632 INGREDIENTS CHOSEN TO CREATE THE PERFECT... 70 00:04:32,656 --> 00:04:34,622 OH, POWERPUFF GIRLS! 71 00:04:34,691 --> 00:04:37,570 ACCIDENTALLY ADDED AN EXTRA INGREDIENT TO THE CONCOCTION, 72 00:04:37,594 --> 00:04:39,160 CHEMICAL X. 73 00:04:39,229 --> 00:04:43,164 SO LAST NIGHT'S FEATURE ATTRACTION, MY DINNER WITH MR. GINSU? 74 00:04:43,233 --> 00:04:46,217 HON, DO YOU HAVE ANY IDEA WHERE THIS STRANGE ENCOUNTER TOOK PLACE? 75 00:04:46,286 --> 00:04:49,521 ULTRA-SUPER POWERS, BLOSSOM, BUBBLES AND BUTTERCUP. 76 00:04:53,794 --> 00:04:56,227 THERE WAS A SIGN ON THE WALL BEHIND HIM. 77 00:04:57,664 --> 00:05:00,632 IT HAPPENED NEAR HERE, PHOENIX. SOMEWHERE IN PHOENIX. 78 00:05:01,535 --> 00:05:05,620 ♪ 79 00:05:57,724 --> 00:05:59,057 LIGHTS, PLEASE! 80 00:06:03,563 --> 00:06:07,131 THIS IS THE FRONT DOOR TO PABLO'S HOUSE. 81 00:06:07,200 --> 00:06:10,434 HERE'S A DETAIL OF WHERE MARTINEZ SHOT THE LOCK ON THE FRONT DOOR 82 00:06:10,504 --> 00:06:12,837 TO GAIN ENTRY AND COMMIT THE HOMICIDES. 83 00:06:15,126 --> 00:06:18,743 ND PABLO AND BEGAN THE INTERROGATION, 84 00:06:18,812 --> 00:06:21,847 IN AN EFFORT TO RECOVER THE $30,000 FROM A DRUG DEAL 85 00:06:21,915 --> 00:06:23,431 THAT PABLO NEVER GAVE HIM. 86 00:06:25,770 --> 00:06:27,280 HERE'S THE SLUG IN THE MATTRESS 87 00:06:27,304 --> 00:06:29,182 FROM THE FIRST TIME HE SHOT PABLO. THE LEG WOUND. 88 00:06:29,206 --> 00:06:31,106 WHOA! BACK UP A SECOND. 89 00:06:31,174 --> 00:06:33,509 THE ACCUSED FIRED 7 SHOTS INTO PABLO. 90 00:06:33,577 --> 00:06:36,640 HOW DO YOU KNOW WHICH WAS 1ST OR 2ND? OR 7TH, FOR THAT MATTER. 91 00:06:36,664 --> 00:06:39,744 EVEN THE CRIME LAB CAN'T TELL US WHICH SHOT CAME FIRST. 92 00:06:40,434 --> 00:06:41,900 NO, YOU'RE RIGHT. 93 00:06:41,968 --> 00:06:43,928 IT'S JUST A THEORY, I GUESS. 94 00:06:44,989 --> 00:06:46,538 THEORY? 95 00:06:46,606 --> 00:06:48,340 A GUY GETS SHOT 7 TIMES. 96 00:06:48,409 --> 00:06:50,070 THE LEG WOUND'S THE LEAST CONSEQUENTIAL. 97 00:06:50,094 --> 00:06:51,871 I GUESS I'M FIGURING HE STARTED WITH THAT 98 00:06:51,895 --> 00:06:54,207 'CAUSE HE KNEW IT WOULD CAUSE A LOT OF PAIN BUT WOULDN'T KILL HIM. 99 00:06:54,231 --> 00:06:56,042 IT'S A GOOD WAY TO FIND OUT WHERE YOUR MONEY IS. 100 00:06:56,066 --> 00:06:57,594 AND THEN WHAT? 101 00:06:57,618 --> 00:07:00,146 PABLO TELLS HIM WHERE TO FIND THE CASH AND, TO SHOW HIS APPRECIATION, 102 00:07:00,170 --> 00:07:03,450 MARTINEZ SHOOTS HIM 6 MORE TIMES THROUGH THE HEART? 103 00:07:04,875 --> 00:07:07,276 NO. HE SHOT HIM ONCE IN THE LEG. 104 00:07:07,344 --> 00:07:08,922 THEN HE WENT AND SHOT THE MOTHER 105 00:07:08,946 --> 00:07:11,124 WHO WAS HIDING IN THE BATHROOM WITH HER BABY. 106 00:07:11,148 --> 00:07:13,115 REALLY? 107 00:07:13,183 --> 00:07:15,228 HE SHOOTS THE GUY ONCE IN THE LEG, 108 00:07:15,252 --> 00:07:18,753 THEN DECIDES TO LOOK AROUND AND SEE IF THERE'S ANYONE ELSE IN THE HOUSE. 109 00:07:18,822 --> 00:07:20,121 THAT'S YOUR THEORY? 110 00:07:20,875 --> 00:07:21,974 NO. 111 00:07:22,042 --> 00:07:23,441 MY THEORY IS 112 00:07:23,510 --> 00:07:26,378 MARTINEZ SHOOTS PABLO ONCE IN THE LEG. 113 00:07:26,446 --> 00:07:27,846 THE SOUND OF THE GUNSHOT 114 00:07:27,915 --> 00:07:30,243 STARTLES THE BABY AND MAKES IT CRY. 115 00:07:34,187 --> 00:07:35,548 UNTIL THAT HAPPENS, 116 00:07:35,572 --> 00:07:37,049 IT DOESN'T EVEN OCCUR TO MARTINEZ 117 00:07:37,073 --> 00:07:39,153 THAT SOMEBODY ELSE MIGHT BE IN THE HOUSE. 118 00:07:49,669 --> 00:07:53,572 MEANWHILE, THE MOTHER IS TRYING SO HARD TO SILENCE HER BABY, 119 00:07:53,640 --> 00:07:55,807 SHE INADVERTENTLY SMOTHERS IT. 120 00:07:55,875 --> 00:07:58,593 BY THE TIME MARTINEZ FINDS HER IN THE BATHROOM, 121 00:07:58,662 --> 00:08:01,012 SHE'S SO CONSUMED WITH REMORSE 122 00:08:01,081 --> 00:08:03,214 THAT SHE'S BEGGING HIM TO END HER LIFE. 123 00:08:09,022 --> 00:08:11,123 AND THAT'S MY THEORY. 124 00:08:11,191 --> 00:08:12,691 WHAT THE HELL ARE YOU DOING? 125 00:08:13,677 --> 00:08:15,343 YOU'RE AN INTERN. 126 00:08:15,412 --> 00:08:17,724 YOUR JOB IS TO SORT THE CRIME SCENE PHOTOS AND TALK US THROUGH THEM, 127 00:08:17,748 --> 00:08:18,914 NOT COME UP WITH THEORIES. 128 00:08:18,982 --> 00:08:20,393 THIS IS A DISTRICT ATTORNEY'S OFFICE, 129 00:08:20,417 --> 00:08:21,482 NOT A DETECTIVE AGENCY. 130 00:08:21,551 --> 00:08:23,096 SO YOU DON'T CARE WHAT'S IN MY HEAD? 131 00:08:23,120 --> 00:08:25,354 NOT IF IT WASN'T IN A LAW BOOK FIRST. NO. 132 00:08:28,041 --> 00:08:30,692 WHICH OF THE FOLLOWING MIGHT BE A PROSPECTIVE JUROR'S REASON 133 00:08:30,761 --> 00:08:33,912 FOR SUPPRESSING INFORMATION THAT MIGHT PREJUDICE HIM OR HER 134 00:08:33,981 --> 00:08:35,747 FROM PARTICIPATING IN A TRIAL? 135 00:08:35,816 --> 00:08:38,567 THE PROSPECTIVE JUROR'S ACTUAL BIAS, WITH REGARD TO... 136 00:08:38,635 --> 00:08:41,548 THE DESIRE TO AVOID MALIGNING ONE'S OWN REPUTATION 137 00:08:41,572 --> 00:08:43,838 AS AN OBJECTIVE, BIAS-FREE CITIZEN. 138 00:08:44,541 --> 00:08:45,874 WOW. 139 00:08:45,943 --> 00:08:47,208 "B" IS RIGHT. 140 00:08:49,280 --> 00:08:51,280 I DON'T THINK I CAN BE A LAWYER, JOE. 141 00:08:52,349 --> 00:08:53,798 IS THIS ABOUT THE DREAMS? 142 00:08:54,534 --> 00:08:55,534 THE VOICES? 143 00:08:55,602 --> 00:08:57,063 THEY GIVE ME PICTURES TO SORT 144 00:08:57,087 --> 00:08:59,182 AND I KNOW WHAT HAPPENED BETWEEN THE PICTURES. 145 00:08:59,206 --> 00:09:01,773 I JUST KNOW. 146 00:09:01,841 --> 00:09:04,209 I SIT WITH LEGAL AID CASES AND THEY TELL ME THEIR STORIES 147 00:09:04,278 --> 00:09:07,712 AND I'M ABSOLUTELY SURE WHEN THEY'RE LYING OR TELLING THE TRUTH. 148 00:09:07,781 --> 00:09:08,981 I MEAN, I SEE IT. 149 00:09:09,550 --> 00:09:10,698 I SEE THE TRUTH. 150 00:09:11,235 --> 00:09:12,667 I SEE IT. 151 00:09:12,736 --> 00:09:14,480 IT'S LIKE A FREAKING TELEVISION SHOW. AND THE DREAMS... 152 00:09:14,504 --> 00:09:16,438 DREAMS ARE DREAMS. EVERYBODY DREAMS. 153 00:09:16,506 --> 00:09:19,906 DOES EVERYBODY SEE DEAD PEOPLE STANDING AROUND THEIR BED? 154 00:09:20,394 --> 00:09:22,288 I'M SUPPOSED TO BE AN ADVOCATE. 155 00:09:22,312 --> 00:09:25,463 I'M SUPPOSED TO BE OBJECTIVE. I'M SUPPOSED TO BE NORMAL. 156 00:09:26,049 --> 00:09:27,165 YOU ARE NORMAL. 157 00:09:30,103 --> 00:09:31,536 I DON'T FEEL NORMAL. 158 00:09:32,706 --> 00:09:34,389 LAW SCHOOL. IT'S A LOT OF MONEY. 159 00:09:34,458 --> 00:09:36,407 A LOT OF WORK. A LOT OF TIME. 160 00:09:37,260 --> 00:09:38,510 I'M PAST 30. 161 00:09:39,496 --> 00:09:41,547 MAYBE IT'S JUST NOT MEANT TO BE. 162 00:09:41,615 --> 00:09:43,214 OR MAYBE, 163 00:09:43,283 --> 00:09:46,317 JUST MAYBE, IT'S NERVES. 164 00:09:46,386 --> 00:09:49,338 YOU KNOW, STRESS CAN MAKE THE MIND... IT'S NOT STRESS. 165 00:09:49,406 --> 00:09:52,090 I DON'T KNOW WHAT IT IS, BUT IT'S NOT STRESS. 166 00:09:52,158 --> 00:09:53,986 HOW DO YOU KNOW THAT? YOU DON'T KNOW THAT. I DO. 167 00:09:54,010 --> 00:09:55,238 NO, YOU DON'T. YEAH. 168 00:09:55,262 --> 00:09:57,040 WHO'S THE... WHO'S THE SCIENTIST IN THE HOUSE? 169 00:09:57,064 --> 00:09:59,413 AM I NOT THE AEROSPACE ENGINEER AROUND HERE? 170 00:09:59,482 --> 00:10:01,299 AM I NOT THE ROCKET SCIENTIST IN THE HOUSE? 171 00:10:01,368 --> 00:10:02,400 I BELIEVE I AM. 172 00:10:02,469 --> 00:10:04,152 AND WHAT I WOULD LIKE TO DO IS, 173 00:10:04,220 --> 00:10:07,288 I'D LIKE TO APPLY THE SCIENTIFIC METHOD TO THIS PARTICULAR CONUNDRUM. 174 00:10:08,308 --> 00:10:10,424 WHAT I AM PROPOSING IS SIMPLE. 175 00:10:10,493 --> 00:10:13,662 LET'S TAKE ALL THESE SCENARIOS YOU'VE TOLD ME ABOUT. 176 00:10:13,730 --> 00:10:17,449 LET'S SEND THEM TO THE RELEVANT LAW ENFORCEMENT AGENCY. 177 00:10:17,517 --> 00:10:19,795 THE ONE YOU HAD THE OTHER NIGHT WHERE THE GUY CONFESSES 178 00:10:19,819 --> 00:10:22,220 TO SLITTING HIS WIFE UP THE MIDDLE. 179 00:10:22,289 --> 00:10:24,233 LET'S JUST FAX THAT TO THE PHOENIX P.D. 180 00:10:24,257 --> 00:10:25,935 AND LET'S SEE IF IT RINGS ANY BELLS. 181 00:10:25,959 --> 00:10:27,770 I DON'T FOLLOW YOU. WHAT'S THE POINT OF THAT? 182 00:10:27,794 --> 00:10:29,327 THE POINT IS SIMPLE. 183 00:10:29,395 --> 00:10:31,758 I'VE GOT ALMOST 25 OF THESE THINGS IN JUST THE PAST 2 YEARS. 184 00:10:31,782 --> 00:10:35,116 IF YOU'RE REALLY GETTING MESSAGES FROM THE GREAT BEYOND, 185 00:10:35,185 --> 00:10:37,163 WELL, 186 00:10:37,187 --> 00:10:39,549 SOMEBODY'S GONNA GET BACK TO YOU. 187 00:10:39,573 --> 00:10:41,239 BUT IF, AS I SUSPECT, 188 00:10:42,342 --> 00:10:43,709 THESE DREAMS, 189 00:10:43,777 --> 00:10:45,543 THESE VOICES, 190 00:10:47,848 --> 00:10:49,364 S 191 00:10:49,432 --> 00:10:51,310 ASSOCIATED WITH BEING A MOTHER OF 3 192 00:10:51,334 --> 00:10:52,744 WHILE TRYING TO GET INTO LAW SCHOOL 193 00:10:52,768 --> 00:10:55,520 AND WORK AN INTERNSHIP AT THE D.A.'S, 194 00:10:55,589 --> 00:10:57,888 WELL, THEN LET'S STICK TO OUR PLAN. 195 00:10:57,957 --> 00:10:59,490 YOU SHOULD GO TO LAW SCHOOL. 196 00:10:59,558 --> 00:11:00,974 YOU SHOULD STUDY HARD. 197 00:11:01,044 --> 00:11:03,989 YOU SHOULD BECOME A HEARTLESS, SCUM-SUCKING ATTORNEY 198 00:11:04,013 --> 00:11:06,814 AND BUY YOUR HUSBAND EXPENSIVE FOREIGN CARS. 199 00:11:06,882 --> 00:11:08,733 JUST SEEMS LIKE THE RIGHT THING TO DO. 200 00:11:08,801 --> 00:11:10,468 I LOVE THE WAY YOU PUT ME FIRST. 201 00:11:25,135 --> 00:11:27,495 EXCUSE ME! 202 00:11:27,937 --> 00:11:29,137 EXCUSE ME! 203 00:11:30,273 --> 00:11:31,923 YOU'RE THE INTERN, RIGHT? 204 00:11:31,991 --> 00:11:34,119 I'M SORRY, I'VE FORGOTTEN YOUR NAME. I KNOW IT BEGINS WITH AN "A." 205 00:11:34,143 --> 00:11:35,426 ALLISON. ALLISON DUBOIS. 206 00:11:35,495 --> 00:11:37,339 RIGHT. LISTEN, THE STARTER JUST WENT OUT ON MY CAR 207 00:11:37,363 --> 00:11:39,007 AND THE CHIEF ASKED ME 208 00:11:39,031 --> 00:11:41,143 TO RUN OUT TO BRAYENTON TO INTERVIEW A WITNESS. 209 00:11:41,167 --> 00:11:42,327 UH, IT'S BALINDA. 210 00:11:45,088 --> 00:11:48,022 AND SHE HAS OFFERED TO GIVE ME A RIDE. 211 00:11:48,091 --> 00:11:49,423 ANDREA. THE INTERN. 212 00:11:51,661 --> 00:11:53,378 I REALLY APPRECIATE THIS. 213 00:11:53,430 --> 00:11:54,962 SO WHO ARE YOU INTERVIEWING? 214 00:11:55,898 --> 00:11:57,030 SOME HAUSFRAU. 215 00:11:57,099 --> 00:11:58,917 THINKS SHE CAN SEE THE FUTURE OR THE PAST 216 00:11:58,985 --> 00:12:01,186 OR WHATEVER IT IS THOSE PEOPLE THINK THEY SEE. 217 00:12:03,907 --> 00:12:06,007 REMEMBER THE, UH, LITTLE GIRL WHO WANDERED OFF 218 00:12:06,075 --> 00:12:08,242 FROM THE SHOPPING CENTER ABOUT 7 WEEKS AGO? 219 00:12:08,311 --> 00:12:11,779 WELL, BETWEEN YOU AND ME, THE BOYS IN LAW ENFORCEMENT DON'T HAVE A CLUE. 220 00:12:11,847 --> 00:12:14,059 AND THE LOCAL NEWS SHOWS WON'T TALK ABOUT ANYTHING ELSE, 221 00:12:14,083 --> 00:12:15,667 SO NOW WE HAVE TO LISTEN 222 00:12:15,735 --> 00:12:18,586 TO EVERY TOM, DICK OR HARRY HOUSEWIFE 223 00:12:18,654 --> 00:12:20,266 WITH TOO MUCH TIME ON HER HANDS 224 00:12:20,290 --> 00:12:24,075 WHO THINKS SHE CAN READ TEA LEAVES OR TAROT CARDS OR WHATEVER. 225 00:12:26,479 --> 00:12:27,506 IT'S THE GUARD. 226 00:12:28,598 --> 00:12:29,964 THE SECURITY GUARD. 227 00:12:30,032 --> 00:12:31,793 THE ONE WE'VE BEEN LOOKING FOR, FOR 2 MONTHS? 228 00:12:31,817 --> 00:12:33,217 YEAH, WE THINK SO, TOO. 229 00:12:34,837 --> 00:12:36,971 WELL, DON'T YOU WANT TO KNOW WHERE HE IS? 230 00:12:37,990 --> 00:12:39,773 YOU KNOW? 231 00:12:39,842 --> 00:12:42,360 I SAW HIM CROSS THE BORDER INTO MEXICO. 232 00:12:43,062 --> 00:12:44,182 WITH THE GIRL. 233 00:12:45,198 --> 00:12:46,198 MEXICO. 234 00:12:47,717 --> 00:12:48,717 TERRIFIC. 235 00:12:49,852 --> 00:12:51,152 HE SOLD HER. 236 00:12:51,221 --> 00:12:52,453 MEXICO. 237 00:12:52,521 --> 00:12:55,290 ANY PARTICULAR PART OF MEXICO 238 00:12:55,358 --> 00:12:58,442 OR JUST "MEXICO"? 239 00:12:58,511 --> 00:13:01,006 I DON'T KNOW, I SEE IT, BUT... 240 00:13:01,030 --> 00:13:05,032 I KNOW THE NAME OF THE TOWN STARTS WITH AN "F." 241 00:13:05,101 --> 00:13:07,668 A TOWN IN MEXICO THAT STARTS WITH "F." 242 00:13:09,506 --> 00:13:11,772 EUREKA. YOU CRACKED THE CASE. 243 00:13:14,044 --> 00:13:15,059 OH, GREAT. 244 00:13:16,129 --> 00:13:17,728 NO SIGNAL. ALL RIGHT. 245 00:13:18,664 --> 00:13:20,431 I AM GOING TO STEP OUTSIDE, 246 00:13:20,499 --> 00:13:21,832 TRY AND CALL MY OFFICE, 247 00:13:21,901 --> 00:13:25,502 GET A LIST OF MEXICAN CITIES THAT BEGIN WITH "F." 248 00:13:25,571 --> 00:13:28,939 SEE IF WE CAN NARROW DOWN THIS HAYSTACK TO SOMETHING MORE MANAGEABLE, HMM? 249 00:13:31,994 --> 00:13:33,944 ARE YOU WITH THE GIRL OR THE GUARD? 250 00:13:34,013 --> 00:13:35,913 I MEAN, WHEN YOU SEE THESE THINGS, WHOSE EYES? 251 00:13:35,982 --> 00:13:37,982 THE GIRL IS DEAD. 252 00:13:38,034 --> 00:13:40,354 SHE CAN'T READ. SHE'S ONLY 3. 253 00:13:41,121 --> 00:13:42,686 BUT SHE KNOWS THE LETTER "F." 254 00:13:45,007 --> 00:13:46,173 I SEE. 255 00:13:47,210 --> 00:13:49,330 YOU'RE TALKING TO THE DEAD GIRL. 256 00:13:50,680 --> 00:13:52,680 NO WONDER I CAN'T GET A SIGNAL IN HERE. 257 00:13:54,484 --> 00:13:55,644 I'LL BE OUT FRONT. 258 00:14:01,190 --> 00:14:02,910 SHE'S REALLY A VERY GOOD LAWYER. 259 00:14:04,277 --> 00:14:05,760 YOU WANT A BEER, DON'T YOU? 260 00:14:06,379 --> 00:14:07,695 PARDON ME? 261 00:14:07,764 --> 00:14:10,598 YOU DON'T LIKE HEARING THE VOICES, DO YOU? 262 00:14:10,667 --> 00:14:13,133 THE ALCOHOL QUIETS THEM DOWN FOR YOU, I BET. 263 00:14:14,620 --> 00:14:16,821 HOW ABOUT THE DEAD? 264 00:14:16,890 --> 00:14:19,907 YOU SEE THE DEAD? THEY COME VISIT YOU? 265 00:14:19,975 --> 00:14:22,293 WANT YOU TO PASS ON MESSAGES TO THE LIVING? 266 00:14:22,362 --> 00:14:24,628 I HAVE TO GO. I'M MISS ALEXANDER'S RIDE. 267 00:14:24,697 --> 00:14:27,031 WHY ARE YOU AT WAR WITH WHO YOU ARE? 268 00:14:27,100 --> 00:14:30,868 MA'AM, RESPECTFULLY, I AM NOT AT WAR WITH ANYBODY. 269 00:14:30,936 --> 00:14:32,936 I'M JUST A GIRL WHO WANTS TO BE A LAWYER, 270 00:14:33,006 --> 00:14:36,540 WHO WANTS TO DO HER JOB, BE A GOOD WIFE, A GOOD MOTHER, 271 00:14:36,609 --> 00:14:38,009 BE LIKE EVERYBODY ELSE. 272 00:14:38,077 --> 00:14:41,257 BUT YOU'RE NOT LIKE EVERYBODY ELSE AND YOU KNOW THAT. 273 00:14:41,281 --> 00:14:43,614 EVEN AMONG THE SPECIAL, YOU'RE SPECIAL. 274 00:14:45,235 --> 00:14:48,002 THEY'RE TELLING ME YOU'RE THE BEST. 275 00:14:48,071 --> 00:14:51,706 THEY'RE TELLING ME THEY'VE BEEN SPEAKING TO YOU SINCE YOU WERE A LITTLE GIRL, 276 00:14:52,675 --> 00:14:54,074 SHOWING YOU THINGS. 277 00:14:56,112 --> 00:14:57,912 YOU KNOW WHAT I'M TALKING ABOUT. 278 00:14:58,564 --> 00:14:59,963 I KNOW I HAVE TO GO. 279 00:15:00,699 --> 00:15:01,859 I'M HERE. 280 00:15:03,235 --> 00:15:05,469 IF YOU EVER NEED TO MAKE SENSE OUT OF IT. 281 00:15:06,756 --> 00:15:07,955 I'M HERE! 282 00:15:20,987 --> 00:15:24,371 SORRY! SORRY, SORRY, SORRY! I GOT PIZZA! 283 00:15:24,440 --> 00:15:26,590 IT'S OK. WE ALREADY DID CHICKEN. 284 00:15:26,659 --> 00:15:28,699 IT'S ON THE TABLE, IF YOU WANT SOME. 285 00:15:28,744 --> 00:15:32,029 HEY, GIRLS! YOU WENT EASY ON DADDY, RIGHT? 286 00:15:39,004 --> 00:15:41,738 HEY. WHOA, LOOK WHO'S HERE. 287 00:15:44,610 --> 00:15:45,610 ARE YOU MAD? 288 00:15:46,930 --> 00:15:48,196 UH-UH. 289 00:15:48,264 --> 00:15:50,097 OK. SO WHAT GIVES? 290 00:15:53,502 --> 00:15:55,169 TEXAS RANGERS CALLED. 291 00:15:55,238 --> 00:15:56,603 THEY READ YOUR FAX. 292 00:15:57,606 --> 00:15:59,140 THEY WANT TO SEE YOU. 293 00:16:11,020 --> 00:16:12,837 SORRY ABOUT THE BUMPY RIDE. 294 00:16:12,905 --> 00:16:15,172 THERE'S A BIG STORM OVER THE GULF OF MEXICO. 295 00:16:16,425 --> 00:16:18,809 EVER BEEN IN A TWIN-ENGINE PROP BEFORE? 296 00:16:20,446 --> 00:16:23,246 EVER BEEN TO TEXAS? 297 00:16:23,315 --> 00:16:26,767 SO I'M GUESSIN' THEN THAT YOU'VE NEVER WORKED WITH THE TEXAS RANGERS BEFORE. 298 00:16:28,771 --> 00:16:30,137 WELL, TRUST ME. 299 00:16:30,206 --> 00:16:31,839 THE FUN'S JUST BEGINNIN'. 300 00:17:17,203 --> 00:17:18,502 HOLY CRAP. 301 00:17:19,438 --> 00:17:21,598 MISS DUBOIS? 302 00:17:21,674 --> 00:17:23,624 MISS ALLISON DUBOIS? 303 00:17:24,243 --> 00:17:25,742 MRS. 304 00:17:25,811 --> 00:17:28,562 MY NAME'S CAPTAIN KENNETH PUSH OF THE TEXAS RANGERS. 305 00:17:28,631 --> 00:17:30,751 I APPRECIATE YOU COMIN' OVER HERE TODAY. 306 00:17:33,253 --> 00:17:34,468 DID YOU WRITE THIS? 307 00:17:48,150 --> 00:17:49,884 MY HUSBAND WROTE IT. 308 00:17:49,952 --> 00:17:52,119 I TOLD HIM WHAT TO SAY, BUT HE WROTE IT. 309 00:17:52,187 --> 00:17:53,721 FAXED IT TO YOU. 310 00:17:53,789 --> 00:17:55,467 WHAT YOU DESCRIBED, 311 00:17:55,491 --> 00:17:58,909 OR WHAT YOUR HUSBAND DESCRIBES ON YOUR BEHALF, 312 00:17:58,978 --> 00:18:01,111 THERE'S AN UNCANNY RESEMBLANCE 313 00:18:01,180 --> 00:18:04,500 TO AN EVENT THAT OCCURRED HERE RECENTLY IN TEXAS, 314 00:18:06,252 --> 00:18:08,285 IN WHICH A 17-YEAR-OLD MALE 315 00:18:08,354 --> 00:18:10,871 ABDUCTED A 6-YEAR-OLD MALE 316 00:18:10,939 --> 00:18:14,339 FOR WHAT WE BELIEVE TO BE HIS PERSONAL SEXUAL GRATIFICATION. 317 00:18:15,661 --> 00:18:17,995 WE PRESENTLY HAVE A 17-YEAR-OLD IN CUSTODY, 318 00:18:18,064 --> 00:18:21,832 ALTHOUGH WE HAVE NOT YET RECOVERED THE 6-YEAR-OLD OR HIS REMAINS. 319 00:18:21,885 --> 00:18:24,964 BECAUSE THE PERPETRATOR OF THIS ACT IS STILL TECHNICALLY A MINOR, 320 00:18:24,988 --> 00:18:27,021 HIS NAME WAS NEVER RELEASED TO THE MEDIA 321 00:18:27,090 --> 00:18:28,422 OR GENERAL PUBLIC. 322 00:18:28,491 --> 00:18:29,823 YOU FOLLOW ME SO FAR? 323 00:18:30,726 --> 00:18:32,109 I SPEAK ENGLISH 324 00:18:32,178 --> 00:18:33,938 AND YOU DO A PASSABLE JOB YOURSELF. 325 00:18:33,979 --> 00:18:34,979 SO, YEAH. 326 00:18:37,650 --> 00:18:40,117 ALL RIGHT, THEN. 327 00:18:40,186 --> 00:18:43,821 DO YOU MIND TELLIN' ME, IF NOBODY KNEW THIS FELLOW'S NAME, 328 00:18:43,890 --> 00:18:46,706 HOW IT IS THAT YOU MENTION IT 3 TIMES, 329 00:18:46,775 --> 00:18:49,659 SPELLED PERFECTLY IN THAT FAX OF YOURS? 330 00:18:51,547 --> 00:18:53,980 I DON'T KNOW. I JUST SAW IT. 331 00:18:54,050 --> 00:18:55,315 IT WAS ON HIS MAIL. 332 00:18:57,253 --> 00:18:58,703 YOU SAW HIS MAIL? 333 00:18:58,755 --> 00:18:59,954 SURE. 334 00:19:02,191 --> 00:19:04,925 HE WAS LOOKING AT IT WHEN HE FIRST SAW THE BOY. 335 00:19:08,030 --> 00:19:10,030 HE WENT TO GET THE MAIL FROM HIS MAILBOX, 336 00:19:10,099 --> 00:19:11,966 THAT'S WHEN HE FIRST SPOTTED HIM. 337 00:19:12,034 --> 00:19:14,401 AT LEAST THAT'S THE WAY IT WAS IN MY DREAM. 338 00:19:16,939 --> 00:19:18,239 IN YOUR DREAM? 339 00:19:25,030 --> 00:19:27,150 A DREAM, HUH? 340 00:19:27,617 --> 00:19:30,333 I KNOW WHAT'S GOING ON HERE, YOUNG LADY, I DO. 341 00:19:31,420 --> 00:19:33,154 YOU WORK FOR THE DEFENSE. 342 00:19:33,222 --> 00:19:35,789 I DON'T KNOW WHAT YOU'RE TALKIN' ABOUT. 343 00:19:36,492 --> 00:19:37,658 OH, DON'T YOU? 344 00:19:39,412 --> 00:19:41,512 I THROW IN WITH YOU. 345 00:19:41,581 --> 00:19:43,447 I TAKE YOU INTO MY CONFIDENCE. 346 00:19:43,516 --> 00:19:45,749 A YEAR LATER, WE'RE SITTIN' IN A COURTROOM, 347 00:19:45,818 --> 00:19:47,718 DEFENSE PUTS ME UP ON THE STAND. 348 00:19:47,786 --> 00:19:51,288 "ISN'T IT TRUE, CAPTAIN PUSH, THAT A SOOTHSAYER..." 349 00:19:51,357 --> 00:19:53,423 HEY! "A FORTUNE TELLER, 350 00:19:53,492 --> 00:19:57,544 A MYSTICAL PROGNOSTICATOR OF SOME KIND HELPED YOU ASSEMBLE THIS CASE?" 351 00:19:57,613 --> 00:20:00,664 I DON'T KNOW WHAT TO TELL YOU. I DON'T WORK FOR ANYBODY. 352 00:20:00,732 --> 00:20:03,467 IF YOU DON'T WANT ME HERE, I WILL HAPPILY GO HOME. 353 00:20:03,536 --> 00:20:05,802 WELL, I'LL TELL YOU WHAT WE'RE GONNA DO. 354 00:20:07,006 --> 00:20:09,807 I'M GONNA SHOW YOU 8 CRIME SCENES. 355 00:20:09,876 --> 00:20:12,059 7 OF THEM ARE BOGUS. 356 00:20:12,128 --> 00:20:13,839 YOU TELL ME WHICH ONE'S REAL. 357 00:20:13,863 --> 00:20:16,983 AND THEN MAYBE WE'LL HAVE SOMETHING TO TALK ABOUT. 358 00:20:19,268 --> 00:20:20,268 MAYBE. 359 00:20:35,951 --> 00:20:38,185 SOMETHING HAPPENED HERE, ALL RIGHT. 360 00:20:38,253 --> 00:20:40,098 BUT I DON'T THINK IT WAS ANY CRIME. 361 00:20:40,122 --> 00:20:42,282 AT LEAST NOT WHERE I COME FROM. 362 00:20:54,169 --> 00:20:56,198 WHAT DO YOU SAY WE GO UP AND TAKE A LOOK AROUND? 363 00:20:56,222 --> 00:20:58,789 WHAT DO YOU SAY WE DON'T? THIS IS NOT THE PLACE. 364 00:21:15,775 --> 00:21:16,919 NO. 365 00:21:16,943 --> 00:21:18,559 YEAH. 366 00:21:18,627 --> 00:21:20,827 11TH FLOOR. 367 00:21:24,917 --> 00:21:27,317 YOU ARE WASTING MY TIME. 368 00:21:38,581 --> 00:21:40,347 WE'RE GETTING CLOSE. 369 00:21:40,416 --> 00:21:42,115 GET OFF AT THE NEXT EXIT. 370 00:22:12,381 --> 00:22:15,065 YOU SURE THIS IS WHERE YOU MEANT? 371 00:22:15,134 --> 00:22:18,013 LOOKS TO ME LIKE THE PARTRIDGE FAMILY LIVES HERE. 372 00:22:18,037 --> 00:22:20,521 OH, I'M SURE. AND I'M SURE YOU'RE SURE. 373 00:22:20,589 --> 00:22:21,800 AND BESIDES, I ALWAYS THOUGHT 374 00:22:21,824 --> 00:22:24,090 THOSE PARTRIDGES WERE A LITTLE STRANGE. 375 00:22:24,159 --> 00:22:27,127 DIDN'T YOU SENSE A LITTLE SOMETHING BETWEEN DAVID CASSIDY AND SUSAN DEY 376 00:22:27,196 --> 00:22:29,112 EVEN IF THEY WERE BROTHER AND SISTER? 377 00:22:29,181 --> 00:22:30,181 HMM? 378 00:22:32,067 --> 00:22:33,133 EXCUSE ME. 379 00:23:05,467 --> 00:23:07,067 HI. HI. 380 00:23:08,103 --> 00:23:10,103 WHAT ARE YOU LISTENING TO? 381 00:23:10,172 --> 00:23:12,056 IT'S THIS NEW BAND, HANSON. 382 00:23:12,124 --> 00:23:14,458 MY OLDER BROTHER JUST GOT ME THE C.D. LAST WEEK. 383 00:23:16,395 --> 00:23:18,061 IT'S HIM YOU'RE HERE ABOUT, 384 00:23:18,130 --> 00:23:19,262 RIGHT? 385 00:23:20,499 --> 00:23:22,799 IT'S ABOUT WHAT HE DID TO THAT LITTLE BOY, 386 00:23:22,868 --> 00:23:23,868 ISN'T IT? 387 00:23:28,441 --> 00:23:29,441 YEAH. 388 00:23:31,693 --> 00:23:33,693 HE'LL BE ALL RIGHT. 389 00:23:40,086 --> 00:23:43,087 THIS PLACE BELONGS TO THE SUSPECT'S GRANDPARENTS. 390 00:23:43,155 --> 00:23:45,000 THE SUSPECT AND HIS SISTER WERE PUT HERE 391 00:23:45,024 --> 00:23:46,873 BY SOCIAL SERVICES IN 1995 392 00:23:46,942 --> 00:23:49,092 AFTER THEIR PARENTS WERE FOUND GUILTY OF NEGLECT, 393 00:23:49,161 --> 00:23:51,494 LARGELY DUE TO UNCONTROLLED HEROIN ADDICTION. 394 00:23:52,631 --> 00:23:55,566 IN 1999, THE SISTER DIED. 395 00:23:55,634 --> 00:23:58,719 SOUNDS TO ME LIKE SHE HAD THE FLU, WHICH BROUGHT ON DYSENTERY. 396 00:23:58,788 --> 00:24:00,699 SHE KEPT TELLING EVERYBODY SHE WAS THIRSTY 397 00:24:00,723 --> 00:24:03,140 BUT OBVIOUSLY NOBODY WAS PAYING ATTENTION. 398 00:24:03,192 --> 00:24:06,426 IT'S A SAD AND STUPID REASON TO DIE. 399 00:24:08,430 --> 00:24:11,498 ANYWAY, THIS IS DEFINITELY WHERE IT HAPPENED. 400 00:24:11,567 --> 00:24:13,067 I'M SURE OF IT. 401 00:24:13,135 --> 00:24:14,735 THE SISTER SAW EVERYTHING. 402 00:24:16,739 --> 00:24:17,938 THE DEAD SISTER? 403 00:24:19,692 --> 00:24:20,692 YEAH. 404 00:24:22,461 --> 00:24:24,361 OK. GAME OVER. 405 00:24:24,430 --> 00:24:25,645 THAT'S IT. 406 00:24:25,714 --> 00:24:27,576 EVERYBODY GET IN THE VEHICLES. I DON'T UNDERSTAND... 407 00:24:27,600 --> 00:24:29,616 LADY, I DON'T KNOW WHO YOU ARE, 408 00:24:29,684 --> 00:24:32,452 I DON'T KNOW WHERE YOU'RE GETTIN' YOUR INFORMATION. 409 00:24:32,521 --> 00:24:34,338 BUT OBVIOUSLY, SOMEBODY IS FEEDIN' YOU 410 00:24:34,407 --> 00:24:35,967 A WHOLE LOT OF CLASSIFIED SENSITIVE... 411 00:24:35,991 --> 00:24:38,920 HEY! NOBODY IS FEEDING ME ANYTHING! I'M A CAREER INVESTIGATOR. 412 00:24:38,944 --> 00:24:41,345 I AM A CAREER CRIMINOLOGIST. 413 00:24:42,515 --> 00:24:46,483 AND I WILL NOT HAVE SOME LAWYER STOOGE, 414 00:24:46,552 --> 00:24:48,518 PULLIN' SOME CHEAP CARNEY TRICK, 415 00:24:48,587 --> 00:24:51,271 MAKE AN ASS OUT OF ME OR THE RANGERS. 416 00:24:51,340 --> 00:24:53,774 NOW I SAID, WE ARE OUT OF HERE! 417 00:24:55,510 --> 00:24:57,644 WE ARE OUT OF HERE. 418 00:24:59,382 --> 00:25:01,622 DON'T YOU WANT TO KNOW WHERE THE BODY IS? 419 00:25:15,731 --> 00:25:17,197 RIGHT HERE! 420 00:25:17,266 --> 00:25:18,915 IT'S ABOUT 3 FEET DOWN. 421 00:25:21,003 --> 00:25:22,168 HOLD ON! 422 00:25:24,706 --> 00:25:26,786 LET'S NOT GET IN THE DIRT JUST YET. 423 00:25:30,046 --> 00:25:33,346 DID WE NOT SWEEP THIS AREA WITH THE DOGS? 424 00:25:33,415 --> 00:25:36,600 YES, SIR. ABOUT A MONTH AGO. 425 00:25:36,669 --> 00:25:40,220 WE HAD A WHOLE TRUCK FULL OF FIRST-CLASS BLOODHOUNDS IN HERE. 426 00:25:42,191 --> 00:25:43,807 THEY DIDN'T SMELL ANYTHING. 427 00:25:44,627 --> 00:25:46,192 I DON'T KNOW WHAT TO TELL YOU. 428 00:25:46,261 --> 00:25:47,806 MAYBE THE BODY WASN'T HERE THEN. 429 00:25:47,830 --> 00:25:49,295 MAYBE HE MOVED THE BODY. 430 00:25:50,099 --> 00:25:51,699 MAYBE YOUR DOGS HAD A COLD. 431 00:25:52,518 --> 00:25:54,284 ALL I KNOW IS, 432 00:25:54,353 --> 00:25:56,820 THE BODY IS HERE NOW. 433 00:25:57,640 --> 00:25:59,239 YOU KNOW THAT, HUH? 434 00:25:59,858 --> 00:26:00,858 YEAH. 435 00:26:01,811 --> 00:26:03,310 AND HOW DO YOU KNOW? 436 00:26:04,246 --> 00:26:06,396 YOU JUST GET, WHAT? 437 00:26:06,465 --> 00:26:07,508 A FEELIN'? 438 00:26:07,532 --> 00:26:10,083 LIKE AN ITCH OR SOMETHIN'? 439 00:26:10,152 --> 00:26:14,855 OR MAYBE YOU SEEN A SECRET UNRECOVERED BODY MAP SOMEWHERE THAT WE MISSED. 440 00:26:15,908 --> 00:26:17,124 OR, HELL, 441 00:26:17,193 --> 00:26:19,271 MAYBE YOU'RE ONLINE WITH THE FOLKS AT 442 00:26:19,295 --> 00:26:23,663 WWW.I'M-BURIED.COM. 443 00:26:23,732 --> 00:26:25,366 I'M TALKING TO YOU! 444 00:26:25,434 --> 00:26:27,250 NO. YOU'RE YELLING AT ME. 445 00:26:27,319 --> 00:26:29,119 AND TRYING TO INTIMIDATE ME. 446 00:26:29,187 --> 00:26:31,271 AND ATTEMPTING TO RIDICULE ME. 447 00:26:31,339 --> 00:26:34,073 AND YOU REALLY OUGHT TO CALM DOWN. 448 00:26:34,142 --> 00:26:37,611 WE BOTH KNOW THAT YOUR HEART CAN'T TAKE THIS KIND OF AGITATION. 449 00:26:52,678 --> 00:26:54,778 LET ME GIVE YOU SOMETHIN' TO THINK ABOUT. 450 00:26:56,415 --> 00:26:59,416 IF I EMBRACE THIS NONSENSICAL HUNCH OF YOURS 451 00:26:59,485 --> 00:27:01,329 AND WASTE VALUABLE PUBLIC RESOURCES 452 00:27:01,353 --> 00:27:03,097 BY HAVIN' MY 30-ODD MEN HERE 453 00:27:03,121 --> 00:27:05,500 USE THE BETTER PART OF AN AFTERNOON DIGGIN' UP THIS YARD 454 00:27:05,524 --> 00:27:07,458 AND WE DON'T FIND THE BODY, 455 00:27:07,526 --> 00:27:09,292 THEN I FIGURE THAT MAKES YOU 456 00:27:09,361 --> 00:27:12,162 AN ACCESSORY AFTER THE FACT. 457 00:27:12,230 --> 00:27:14,476 AIDING AND ABETTING A CHILD MOLESTER 458 00:27:14,500 --> 00:27:16,778 BY PROVIDING US WITH FALSE LEADS. 459 00:27:16,802 --> 00:27:19,903 AND I FIGURE THAT'S GOOD FOR 3 YEARS HARD TIME. 460 00:27:21,657 --> 00:27:22,756 NOW, 461 00:27:23,575 --> 00:27:26,709 YOU PONDER THAT FOR A SECOND 462 00:27:26,779 --> 00:27:28,623 AND THEN YOU TELL ME ONE MORE TIME 463 00:27:28,647 --> 00:27:30,967 WHERE YOU THINK THIS BODY IS. 464 00:27:33,936 --> 00:27:35,468 YOU'RE STANDING ON IT. 465 00:27:50,286 --> 00:27:51,752 ANYWAY, I'M DONE. 466 00:27:52,638 --> 00:27:53,970 I WANT TO GO HOME NOW. 467 00:28:00,096 --> 00:28:01,695 SIR, 468 00:28:01,763 --> 00:28:04,064 WE'VE GOT THE MEN HERE, WE'VE GOT THE SHOVELS. 469 00:28:04,133 --> 00:28:07,234 WHAT'S THE HARM IN DOING A LITTLE DIGGING? WHAT'S THE HARM? 470 00:28:07,303 --> 00:28:09,381 YOU WANNA KNOW WHAT THE HARM IS? 471 00:28:09,405 --> 00:28:12,672 YOU WOULDN'T HAPPEN TO HAVE A SEARCH WARRANT ON YOU, SERGEANT, WOULD YOU? 472 00:28:12,741 --> 00:28:13,741 NO, SIR. 473 00:28:18,680 --> 00:28:21,047 GO FIND OUR FRIEND A COMFORTABLE HOTEL ROOM. 474 00:28:23,252 --> 00:28:25,572 MAKE SURE SHE'S GOT EVERYTHING SHE NEEDS! 475 00:28:30,810 --> 00:28:32,559 ES 476 00:28:32,628 --> 00:28:33,628 HAVE CALLED. 477 00:28:33,662 --> 00:28:35,496 OH, JUST THE DISTRICT ATTORNEY'S OFFICE 478 00:28:35,564 --> 00:28:37,742 WONDERING WHEN THEY MIGHT GET THEIR INTERN BACK. 479 00:28:37,766 --> 00:28:39,500 OH, AND YOUR HUSBAND. OW! 480 00:28:39,568 --> 00:28:42,219 HE WAS WONDERING WHEN HE MIGHT GET HIS WIFE BACK. 481 00:28:43,488 --> 00:28:44,688 DO YOU HEAR THAT? 482 00:28:44,757 --> 00:28:46,237 NO, GO AHEAD. I'LL HOLD ON. 483 00:28:53,632 --> 00:28:55,331 MRS. DUBOIS. 484 00:28:55,400 --> 00:28:58,920 I KNOW IT'S LATE. I WONDER IF I MIGHT SHOW YOU SOMETHIN'. 485 00:29:00,372 --> 00:29:01,604 GIVE ME A MINUTE. 486 00:29:06,311 --> 00:29:07,410 I GOTTA GO. 487 00:29:07,479 --> 00:29:09,290 IT'S CAPTAIN HAPPY AT THE DOOR. 488 00:29:09,314 --> 00:29:11,498 AT THIS HOUR? AT YOUR HOTEL ROOM? 489 00:29:11,566 --> 00:29:14,679 IS THERE SOMETHING YOU WANT TO TELL ME? SOMETHING I NEED TO KNOW? 490 00:29:14,703 --> 00:29:17,254 YES, I AM LEAVING YOU FOR THE ANGRIEST, 491 00:29:17,323 --> 00:29:19,590 UGLIEST MAN ON THE PLANET. 492 00:29:19,658 --> 00:29:21,858 NOW GO TO BED. I LOVE YOU. 493 00:29:28,133 --> 00:29:29,733 SOMETHING YOU WANT TO SHOW ME? 494 00:29:42,748 --> 00:29:44,414 CAPTAIN PUSH? 495 00:29:51,123 --> 00:29:52,989 WENT IN 23 DAYS AGO. 496 00:29:53,892 --> 00:29:55,593 I HAVE NEVER BEEN SO SCARED. 497 00:29:56,795 --> 00:29:59,396 THE DOCTOR CRACKED ME OPEN LIKE A WALNUT. 498 00:30:00,833 --> 00:30:02,767 HE TOLD ME IF I DIDN'T CALM MY LIFE DOWN, 499 00:30:02,835 --> 00:30:04,713 THE NEXT TIME I COMPLAINED OF CHEST PAINS, 500 00:30:04,737 --> 00:30:07,515 HE WOULDN'T BOTHER WITH A NEEDLE, THREAD OR LATEX GLOVES. 501 00:30:07,539 --> 00:30:09,450 HE'D JUST WALK ME OVER TO THE AUTOPSY ROOM 502 00:30:09,474 --> 00:30:12,514 AND HAVE ME PICK OUT WHICH DRAWER I WANTED TO BE KEPT IN. 503 00:30:14,514 --> 00:30:17,214 EVERYBODY I KNEW THOUGHT I WAS FISHIN' UP IN ALBERTA. 504 00:30:19,485 --> 00:30:20,896 I DON'T KNOW HOW YOU FOUND OUT. 505 00:30:20,920 --> 00:30:22,719 I DIDN'T FIND OUT. I FELT IT. 506 00:30:22,788 --> 00:30:25,689 AND FOR WHAT IT'S WORTH, I FEEL YOU'LL BE LIVING A LONG TIME. 507 00:30:29,962 --> 00:30:30,962 OH. 508 00:30:34,733 --> 00:30:36,573 THANKS. 509 00:30:40,506 --> 00:30:42,473 MRS. DUBOIS! OPEN UP! 510 00:30:45,311 --> 00:30:48,044 MRS. DUBOIS, TEXAS RANGERS! ARE YOU AWAKE? 511 00:30:56,355 --> 00:30:57,855 MRS. DUBOIS! 512 00:30:57,923 --> 00:30:59,557 I NEED YOU TO PACK YOUR BAGS 513 00:30:59,625 --> 00:31:01,336 AND COME WITH ME TO THE AIRPORT! 514 00:31:01,360 --> 00:31:03,371 THE EYE OF THE STORM IS MOVIN' THIS WAY 515 00:31:03,395 --> 00:31:04,672 AND IF WE DON'T GET YOU OUT NOW, 516 00:31:04,696 --> 00:31:06,374 THERE MAY NOT BE A RUNWAY LEFT! 517 00:31:06,398 --> 00:31:09,833 BUT I DON'T UNDERSTAND! IT'S 5:30 IN THE MORNING! 518 00:31:09,901 --> 00:31:13,937 WE'RE SUPPOSED TO EXCAVATE A CRIME SCENE IN 5 HOURS! LOOK FOR A BODY! 519 00:31:14,006 --> 00:31:16,046 YOU DON'T UNDERSTAND, MRS. DUBOIS! 520 00:31:16,108 --> 00:31:18,153 AS OF NOW, THERE IS NO BODY! 521 00:31:18,177 --> 00:31:20,010 THERE IS NO CRIME SCENE! 522 00:31:20,079 --> 00:31:22,145 IT'S ALL JUST GONE! 523 00:31:24,133 --> 00:31:25,399 THIS STORM HERE, 524 00:31:25,468 --> 00:31:27,546 IT'S THE BIGGEST IN TEXAS HISTORY! 525 00:31:27,570 --> 00:31:29,970 THIS STORM IS HURRICANE ALLISON! 526 00:31:58,267 --> 00:32:00,100 YOU KNOW, 527 00:32:00,169 --> 00:32:02,136 THERE'S NOTHIN' TO SAY THAT WHEN THE RAIN STOPS, 528 00:32:02,204 --> 00:32:03,870 IT ALL STILL WON'T BE THERE. 529 00:32:03,939 --> 00:32:05,422 THE BODY, THE EVIDENCE... 530 00:32:05,491 --> 00:32:07,157 WHEN THE RAIN FINALLY STOPS, 531 00:32:07,226 --> 00:32:09,037 THERE WILL BE NOTHING LEFT FOR THE DOGS TO SMELL. 532 00:32:09,061 --> 00:32:11,795 ALL THE TOP SOIL WILL HAVE WASHED AWAY. 533 00:32:11,864 --> 00:32:13,630 WHEN THE RAIN FINALLY STOPS, 534 00:32:13,699 --> 00:32:15,877 WHO KNOWS WHERE THAT LITTLE BOY'S BODY'LL BE? 535 00:32:15,901 --> 00:32:18,902 CARRIED OFF BY ANIMALS? PICKED AT, MAYBE EATEN? 536 00:32:18,955 --> 00:32:20,816 IF THERE'S ANYTHING LEFT AT ALL, 537 00:32:20,840 --> 00:32:22,272 IF ANYONE CAN FIND IT? 538 00:32:23,926 --> 00:32:27,310 WHEN THE RAIN FINALLY STOPS, THE BEAST THAT DID THIS 539 00:32:27,379 --> 00:32:29,212 WILL BE RELEASED FROM JAIL. 540 00:32:29,281 --> 00:32:31,059 HE'LL BE OFF TO WHEREVER IT IS 541 00:32:31,083 --> 00:32:33,250 THAT PEOPLE LIKE THAT GO AND HIDE 542 00:32:33,318 --> 00:32:37,671 AND WAIT FOR THE NEXT HELPLESS CHILD TO SUCK THE LIFE OUT OF. 543 00:32:37,740 --> 00:32:40,541 YOU KNOW, YOU ARE NOT RESPONSIBLE FOR THE FACT THAT... 544 00:32:40,609 --> 00:32:43,477 WELL, WHAT IN GOD'S NAME AM I RESPONSIBLE FOR? 545 00:32:43,546 --> 00:32:44,945 HUH? 546 00:32:45,013 --> 00:32:48,014 I AM TOO SENSITIVE TO PRACTICE LAW, 547 00:32:48,083 --> 00:32:50,829 BUT I CAN'T DO ANY GOOD WITH ALL MY EFFIN' SENSITIVITY 548 00:32:50,853 --> 00:32:52,964 'CAUSE I'M NOT SENSITIVE ENOUGH 549 00:32:52,988 --> 00:32:55,806 TO KNOW THAT IT'S GONNA FREAKING RAIN! 550 00:33:00,446 --> 00:33:02,396 ALLISON... SHUT UP AND DRIVE. 551 00:33:22,067 --> 00:33:24,979 LOOK, I KNOW YOU'RE TRYING TO MAKE ME FEEL BETTER. BUT I GOTTA TELL YOU, 552 00:33:25,003 --> 00:33:27,571 YESTERDAY, WHEN I THOUGHT, "I KNOW WHERE THIS BODY IS, 553 00:33:27,639 --> 00:33:29,384 "I CAN HELP THEM HOLD THIS GUY, 554 00:33:29,408 --> 00:33:31,174 I CAN HELP THEM GET THIS GUY," 555 00:33:33,162 --> 00:33:34,511 I DON'T MEAN IN TEXAS, 556 00:33:34,563 --> 00:33:37,463 BUT IN THE FIELD, ON THE LINE, LIKE, 557 00:33:37,533 --> 00:33:39,173 THIS IS WHAT I'M SUPPOSED TO BE DOING. 558 00:33:39,200 --> 00:33:41,267 THIS IS WHY I'M HERE. FINALLY. 559 00:33:41,336 --> 00:33:43,503 THIS IS WHY I AM THE WAY I AM. 560 00:33:43,572 --> 00:33:46,439 AND WHEN I WOKE UP AND FOUND THAT NONE OF IT MATTERED, 561 00:33:46,508 --> 00:33:48,474 THAT IT ALL HAD JUST BEEN WASHED AWAY, 562 00:33:48,544 --> 00:33:50,894 THAT GOD HAD PLAYED SOME CRUEL JOKE ON ME... 563 00:33:55,383 --> 00:33:57,183 WHAT? 564 00:33:57,252 --> 00:33:59,898 YOU'RE THINKING I'M THE MOST CONCEITED, SELF-INVOLVED PERSON YOU'VE EVER MET. 565 00:33:59,922 --> 00:34:02,472 WHOA! HEY! DID I SAY... WHAT DID I... 566 00:34:02,541 --> 00:34:04,741 WHAT KIND OF PERSON THINKS GOD HIMSELF 567 00:34:04,809 --> 00:34:07,661 WOULD UNLEASH A RAINSTORM JUST TO SCREW WITH THEIR HEAD? 568 00:34:07,730 --> 00:34:09,112 OH, THAT'S JUST NUTS. 569 00:34:09,180 --> 00:34:11,025 OH, NO, I'M NUTS! THAT'S WHAT YOU THINK, ISN'T IT? 570 00:34:11,049 --> 00:34:12,799 GOD! I NEVER SAID THAT! 571 00:34:12,868 --> 00:34:14,417 I DIDN'T SAY YOU SAID IT. 572 00:34:14,486 --> 00:34:16,236 IT'S NOT WHAT I WAS THINKING, EITHER! 573 00:34:16,304 --> 00:34:18,316 WHAT I WAS THINKING WAS GO READ HIS MIND. 574 00:34:18,340 --> 00:34:19,990 YOUR 17-YEAR-OLD PEDOPHILE. 575 00:34:20,058 --> 00:34:21,575 AND "LEAVE ME ALONE!" 576 00:34:24,295 --> 00:34:25,673 THAT MAY HAVE BEEN IN THERE, BUT... 577 00:34:25,697 --> 00:34:26,697 UH-HUH. 578 00:34:29,601 --> 00:34:31,418 ACTUALLY, THAT'S A BRILLIANT IDEA. 579 00:34:33,338 --> 00:34:34,338 WHAT IS? 580 00:34:39,961 --> 00:34:42,223 CAPTAIN PUSH WITH THE TEXAS RANGERS, PLEASE. 581 00:34:42,247 --> 00:34:45,498 EXCUSE ME, CAPTAIN. MY CLIENT IS DUE TO BE RELEASED IN JUST 9 HOURS. 582 00:34:45,567 --> 00:34:47,099 IF YOU'VE UNCOVERED ANY NEW EVIDENCE 583 00:34:47,168 --> 00:34:48,701 THAT POTENTIALLY JEOPARDIZES THAT, 584 00:34:48,770 --> 00:34:50,090 I HAVE A RIGHT TO KNOW ABOUT IT. 585 00:34:50,138 --> 00:34:53,706 WHY DON'T YOU JUST RELAX, COUNSELOR. 586 00:34:53,775 --> 00:34:56,075 DON'T MAKE ME CALL THE NEW YORK TIMES! 587 00:35:02,234 --> 00:35:04,201 HI. 588 00:35:04,269 --> 00:35:07,069 THANK YOU FOR SPEAKING WITH ME. MY NAME'S ALLISON DUBOIS. 589 00:35:09,257 --> 00:35:10,257 OK. 590 00:35:11,109 --> 00:35:12,659 YOU'RE WITH THE PRISON? 591 00:35:12,728 --> 00:35:13,728 NOT REALLY. 592 00:35:14,329 --> 00:35:16,062 OH. 593 00:35:16,131 --> 00:35:18,426 YOU'RE A REPORTER? 'CAUSE I... I CAN'T TALK TO REPORTERS. 594 00:35:18,450 --> 00:35:19,450 NO. 595 00:35:20,002 --> 00:35:21,234 I'M ACTUALLY 596 00:35:21,303 --> 00:35:23,584 KIND OF A FRIEND OF YOUR SISTER. 597 00:35:26,474 --> 00:35:28,624 MA'AM, MY... MY SISTER'S DEAD. 598 00:35:28,693 --> 00:35:29,813 I KNOW THAT. 599 00:35:31,245 --> 00:35:32,879 SHE SEEMS HAPPY, BY THE WAY. 600 00:35:32,948 --> 00:35:35,114 I MEAN, 601 00:35:35,183 --> 00:35:38,183 SHE'S WORRIED ABOUT YOU BECAUSE OF WHAT YOU DID AND ALL. 602 00:35:38,587 --> 00:35:39,986 BUT ASIDE FROM THAT... 603 00:35:41,640 --> 00:35:43,423 SHE'S STILL AT THE HOUSE, YOU KNOW. 604 00:35:44,426 --> 00:35:45,859 SHE SAW WHAT YOU DID. 605 00:35:46,895 --> 00:35:48,528 TOLD ME WHERE THE BODY WAS. 606 00:35:52,000 --> 00:35:54,117 I CAME HERE HOPING 607 00:35:54,186 --> 00:35:56,652 I WOULD FEEL SOMETHING FROM YOU, 608 00:35:56,721 --> 00:35:58,955 HEAR SOMETHING FROM INSIDE YOUR HEAD. 609 00:36:00,192 --> 00:36:01,192 BUT... 610 00:36:03,528 --> 00:36:04,577 WHAT? 611 00:36:07,482 --> 00:36:08,714 YOU'RE SO PRETTY. 612 00:36:09,984 --> 00:36:12,718 YOU LOOK LIKE AN AD FOR MILK OR TOOTHPASTE. 613 00:36:14,022 --> 00:36:16,839 BUT WHEN I LISTEN TO YOUR SOUL, 614 00:36:16,908 --> 00:36:21,111 ALL I HEAR ARE THE SOUNDS OF SMALL ANIMALS BEING TORTURED 615 00:36:21,179 --> 00:36:22,545 AND CHILDREN CRYING. 616 00:36:25,984 --> 00:36:28,485 YOU KNOW, YOU DIDN'T WALK INTO THIS ROOM ALONE. 617 00:36:31,890 --> 00:36:33,706 I DON'T MEAN THEM. 618 00:36:33,775 --> 00:36:36,475 IT'S NOTHING YOU CAN SEE. 619 00:36:36,544 --> 00:36:38,694 BUT OVER THERE, STANDING IN THE CORNER, 620 00:36:38,763 --> 00:36:41,014 IS THE GHOST OF THE MAN WHO MOLESTED YOU 621 00:36:41,082 --> 00:36:43,427 AFTER THE EASTER BARBECUE YOUR AUNT AND UNCLE TOOK YOU TO 622 00:36:43,451 --> 00:36:45,218 WHEN YOU WERE 8. 623 00:36:45,286 --> 00:36:47,253 AND STANDING NEXT TO HIM 624 00:36:47,322 --> 00:36:49,255 IS THE MAN WHO MOLESTED HIM 625 00:36:49,324 --> 00:36:52,108 AT SUMMER CAMP IN MICHIGAN IN 1967. 626 00:36:52,176 --> 00:36:53,409 AND THAT MAN'S SOUL 627 00:36:53,478 --> 00:36:55,911 IS FOREVER HAUNTED BY THE SOULS OF THE 3 MEN 628 00:36:55,980 --> 00:36:57,525 WHO TOOK ADVANTAGE OF THAT MAN 629 00:36:57,549 --> 00:36:59,794 WHEN HE WAS A 10-YEAR-OLD BOY BACK IN 1955 630 00:36:59,818 --> 00:37:01,612 IN A SCHOOL TRIP TO WASHINGTON D.C. 631 00:37:01,636 --> 00:37:02,947 I... I... I WOULD LIKE TO GO NOW! 632 00:37:02,971 --> 00:37:04,370 WAIT! 633 00:37:04,456 --> 00:37:07,290 I'M JUST GETTING STARTED. THE ROOM IS FILLED WITH THEM. 634 00:37:08,093 --> 00:37:09,792 IT'S YOU MEN I'M TALKING TO. 635 00:37:09,861 --> 00:37:11,589 YOU MEN KNOW WHAT I'M LOOKING FOR. 636 00:37:11,613 --> 00:37:13,641 IF ANY OF YOU HAVE ANYTHING TO SAY, ANYTHING, 637 00:37:13,665 --> 00:37:15,905 THEN HELP BREAK THIS CHAIN OF EVIL. 638 00:37:16,534 --> 00:37:18,684 I CAN HEAR YOU. 639 00:37:18,753 --> 00:37:20,854 YOU JUST HAVE TO SPEAK TO ME. 640 00:37:21,907 --> 00:37:23,973 JUST SPEAK TO ME. 641 00:37:37,756 --> 00:37:40,740 HE TOLD EVERYTHING TO THE BOY IN THE NEXT CELL? 642 00:37:41,359 --> 00:37:42,359 YEP. 643 00:37:42,427 --> 00:37:44,205 WHO TOLD YOU THIS? 644 00:37:44,229 --> 00:37:45,495 NEVER MIND. 645 00:37:46,298 --> 00:37:47,897 I DON'T WANT TO KNOW. 646 00:37:50,535 --> 00:37:52,212 ALL RIGHT, QUIET ON THIS BLOCK. 647 00:37:52,236 --> 00:37:53,536 QUIET DOWN. BACK UP. 648 00:37:55,040 --> 00:37:56,920 QUIET ON THIS BLOCK! 649 00:37:58,693 --> 00:38:02,145 RAYMOND VARGAS. STAND AND APPROACH THE CELL DOOR, PLEASE. 650 00:38:17,862 --> 00:38:19,229 SON, 651 00:38:19,297 --> 00:38:21,242 I HAVE IT ON PRETTY GOOD AUTHORITY 652 00:38:21,266 --> 00:38:23,478 THAT THE BOY IN THE NEXT CELL AND YOU 653 00:38:23,502 --> 00:38:25,635 TALK SOME, LATE AT NIGHT. 654 00:38:26,871 --> 00:38:28,138 WHO ARE YOU? 655 00:38:31,143 --> 00:38:32,143 AND WHO'S SHE? 656 00:38:33,728 --> 00:38:35,829 YOUR FRIEND NEXT DOOR. 657 00:38:35,897 --> 00:38:38,217 HE EVER MENTION A 6-YEAR-OLD BOY? 658 00:38:40,252 --> 00:38:42,263 WHERE HE MIGHT HAVE TAKEN HIM? 659 00:38:42,287 --> 00:38:44,127 WHAT HE MIGHT HAVE DONE WITH HIM? 660 00:38:45,490 --> 00:38:48,130 WHAT DO YOU MEAN, THE KID WHO SLEEPS OVER HERE? 661 00:38:48,961 --> 00:38:50,426 HE'S A PREVERT. 662 00:38:52,097 --> 00:38:54,698 I DON'T TALK TO PREVERTS. 663 00:38:55,801 --> 00:38:57,867 AND PREVERTS DON'T TALK TO ME. 664 00:39:09,898 --> 00:39:11,631 HE DON'T TALK TO PREVERTS. 665 00:39:18,172 --> 00:39:19,238 TELL HIM, 666 00:39:20,575 --> 00:39:22,108 YOU KNOW ABOUT THE KISS. 667 00:39:23,912 --> 00:39:25,512 KISS? 668 00:39:25,580 --> 00:39:27,460 WHAT KISS? JUST TELL HIM. 669 00:39:28,082 --> 00:39:29,148 BUT WHISPER IT. 670 00:39:39,678 --> 00:39:40,876 SO, 671 00:39:42,447 --> 00:39:43,763 YOU TWO DON'T SPEAK? 672 00:39:44,866 --> 00:39:46,799 YEAH, AND I ALREADY TOLD YOU, NO. 673 00:39:48,370 --> 00:39:50,770 WHAT'S THE DEAL WITH THE HAT? 674 00:39:50,838 --> 00:39:52,488 TODAY COWBOY DAY? 675 00:39:56,945 --> 00:39:57,977 HA-HA. 676 00:40:04,786 --> 00:40:07,270 I KNOW ABOUT THE KISS. 677 00:40:09,707 --> 00:40:10,739 WAIT A SECOND. 678 00:40:12,543 --> 00:40:13,727 WHO TOLD YOU THAT? 679 00:40:15,914 --> 00:40:17,814 THE PREVERT TOLD YOU ABOUT THAT? 680 00:40:20,335 --> 00:40:22,202 RIGHT NOW, SON, 681 00:40:22,270 --> 00:40:24,003 I'M MUCH MORE INTERESTED 682 00:40:24,072 --> 00:40:25,605 IN WHAT HE TOLD YOU. 683 00:40:36,133 --> 00:40:37,483 THANK YOU, SIR. 684 00:40:38,887 --> 00:40:40,787 YOU WILL SEE ME IN COURT. 685 00:40:40,855 --> 00:40:42,055 BYE-BYE. 686 00:40:43,258 --> 00:40:45,858 THAT WAS THE STATE ATTORNEY'S OFFICE. 687 00:40:45,927 --> 00:40:50,730 THEY JUST DELIVERED RAYMOND VARGAS' SWORN STATEMENT TO THE JUDGE. 688 00:40:50,798 --> 00:40:53,366 AND HE'S AGREED TO ALLOW US TO HOLD 689 00:40:53,435 --> 00:40:55,885 AND FORMALLY CHARGE THE 17-YEAR-OLD. 690 00:40:58,372 --> 00:41:00,557 WITH 3 HOURS TO SPARE. 691 00:41:02,978 --> 00:41:04,894 SO I'M CURIOUS. 692 00:41:05,597 --> 00:41:07,196 THE KISS... 693 00:41:07,265 --> 00:41:09,777 YOU DIDN'T MENTION THAT BEFORE WE WENT INTO RAYMOND'S CELL. 694 00:41:09,801 --> 00:41:11,201 WHO TOLD YOU ABOUT THAT? 695 00:41:12,320 --> 00:41:15,622 THERE SOME GHOST? 696 00:41:15,690 --> 00:41:18,836 SOME SPIRIT THERE ON THE CELL BLOCK WITH US THAT'S TALKIN' TO YOU? 697 00:41:18,860 --> 00:41:20,426 WELL, NO. 698 00:41:20,495 --> 00:41:22,595 WELL, HOW'D YOU FIND OUT ABOUT THAT KISS? 699 00:41:23,564 --> 00:41:24,764 I MADE IT UP. 700 00:41:27,986 --> 00:41:29,552 EXCUSE ME, LADY? 701 00:41:29,621 --> 00:41:32,638 OH, PUT YOUR BUG EYES BACK IN YOUR HEAD. I SAID, I MADE IT UP. 702 00:41:32,707 --> 00:41:33,923 I TOOK A SHOT. 703 00:41:33,991 --> 00:41:36,059 I FIGURED HE'D EITHER BE SO OFFENDED, HE'D TALK, 704 00:41:36,128 --> 00:41:37,810 OR HE WOULD BE SO EMBARRASSED, HE'D TALK. 705 00:41:37,879 --> 00:41:39,528 SO EITHER WAY... 706 00:41:39,597 --> 00:41:43,116 THIS IS NOT GOOD FOR MY HEART. 707 00:41:48,139 --> 00:41:49,539 THANK YOU. 708 00:41:50,475 --> 00:41:51,740 REALLY. 709 00:41:52,510 --> 00:41:53,642 THANK YOU. 710 00:41:55,864 --> 00:41:56,996 NO, THANK YOU. 711 00:42:06,491 --> 00:42:09,893 SO ANYWAY, I'VE COME TO THE CONCLUSION THAT I AM 712 00:42:09,961 --> 00:42:12,695 CONSTITUTIONALLY INCAPABLE OF BEING AN ATTORNEY. 713 00:42:15,200 --> 00:42:16,200 OK. 714 00:42:17,702 --> 00:42:20,237 BUT I'M CONFUSED. WHAT LED TO THIS CHANGE OF HEART? 715 00:42:21,273 --> 00:42:23,673 I CAN'T REALLY TALK ABOUT IT. 716 00:42:23,742 --> 00:42:26,520 SUFFICE IT TO SAY I'M APPARENTLY EITHER A LITTLE PSYCHIC 717 00:42:26,544 --> 00:42:27,943 OR A LITTLE PSYCHO. 718 00:42:30,015 --> 00:42:31,347 OH. 719 00:42:31,416 --> 00:42:33,060 SO ANYWAY, I WANTED TO COME IN 720 00:42:33,084 --> 00:42:35,204 AND OFFICIALLY RESIGN MY INTERNSHIP. 721 00:42:35,387 --> 00:42:36,452 I SEE. 722 00:42:36,521 --> 00:42:38,881 AND THANK YOU AGAIN FOR THE OPPORTUNITY. 723 00:42:39,557 --> 00:42:40,557 ALLISON. 724 00:42:42,527 --> 00:42:44,661 WHILE YOU WERE GONE, MARTINEZ CONFESSED. 725 00:42:44,730 --> 00:42:46,663 SEEMS HE DID SHOOT PABLO ONCE IN THE LEG. 726 00:42:46,731 --> 00:42:49,265 THEN HE SAID HE HEARD A BABY CRYING, 727 00:42:49,334 --> 00:42:51,913 SHOT THE MOTHER, WHO HAD ACCIDENTALLY SUFFOCATED THE BABY. 728 00:42:51,937 --> 00:42:54,638 THEN HE CAME BACK AND SHOT PABLO. 729 00:42:54,706 --> 00:42:55,839 6 MORE TIMES. 730 00:42:59,410 --> 00:43:00,744 SO WHAT DOES THIS MEAN? 731 00:43:00,812 --> 00:43:02,445 WHAT ARE YOU GOING TO DO NOW? 732 00:43:05,683 --> 00:43:07,150 SO HE JUST HIRED YOU? 733 00:43:07,219 --> 00:43:09,530 WELL, IT'S NOT FULL-TIME. I'M MORE LIKE A CONSULTANT. 734 00:43:09,554 --> 00:43:10,954 A SECRET CONSULTANT. 735 00:43:11,022 --> 00:43:13,634 WE CAN'T REALLY TELL ANYBODY THAT I WORK THERE. COOL! 736 00:43:13,658 --> 00:43:15,291 YEAH. 737 00:43:15,360 --> 00:43:18,461 HE WANTS ME TO HELP HIM PICK JURIES, INTERVIEW POTENTIAL WITNESSES 738 00:43:20,848 --> 00:43:22,760 THEY'RE ONLY GONNA CALL ME WHEN THEY NEED ME. 739 00:43:22,784 --> 00:43:25,112 WE'RE SORT OF GONNA PLAY IT BY EAR. THAT'S AWESOME. 740 00:43:25,136 --> 00:43:26,631 THANKS. HOLY COW! 741 00:43:26,655 --> 00:43:28,787 HOLY COW! 742 00:43:31,059 --> 00:43:33,560 AND JUST GET HIM TO TELL YOU HIS STORY. 743 00:43:41,520 --> 00:43:44,220 THEY WANTED YOU TO HAVE THIS. IT'S HIS STATEMENT. 744 00:43:44,289 --> 00:43:46,834 THEY THOUGHT YOU MIGHT WANT TO TAKE A LOOK AT IT. THANKS. 745 00:43:55,667 --> 00:43:58,134 SO ACCORDING TO THE STATEMENT YOU GAVE THE POLICE, 746 00:43:58,203 --> 00:43:59,769 YOU CAME HOME FROM... 747 00:44:02,874 --> 00:44:05,075 WORK AND SHE WAS JUST... 748 00:44:07,279 --> 00:44:10,346 YOUR WIFE, I MEAN, SHE WAS JUST THERE LIKE THAT? 749 00:44:11,450 --> 00:44:12,650 YEAH. 750 00:44:14,119 --> 00:44:15,851 I GOT OFF AT 5:20. 751 00:44:16,788 --> 00:44:17,788 DROVE HOME. 752 00:44:18,556 --> 00:44:20,189 STOPPED FOR GAS. 753 00:44:21,993 --> 00:44:23,610 R, YOU KNOW, 754 00:44:25,547 --> 00:44:28,214 SO BY THE TIME I PULLED IN THE DRIVEWAY, IT WAS DARK.